Write Knowing You May Have to Cut It

barber with Tattooed hand cuts a man's beard

A lot of people ask me about writer’s block, how I deal with it, and so forth. Honestly, I think the notion of a creative block is almost as romantic and fantastical as the romantic notion of “the writer’s life” I was writing about yesterday.

I mean, people get blocked in all kinds of endeavors, and usually that’s because they don’t know what their goal is, or they don’t know what steps to take to achieve it. Most blocks of any kind (I learned this while ghostwriting a time-management book) occur because you haven’t broken your task down into small enough chunks. Any daunting task is just a too-complex job. Make it into ten smaller jobs, listed in order, and then you’re facing something you can actually do. That’s true, but it’s also theory. So, let’s look at how this applies to creative work.

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Humor in Memoir Workshop

I recently conducted a workshop entitled “Humor in Memoir.” Originally, the workshop was actually called “Laugh and the World Laughs with You.”  I gave this workshop at the Association of Personal Historians annual conference in St. Louis, MO, last October.

This was an attempt to try to teach memoirists how to inject humor into their work. If you’ve read my ghostwriting site, you’ll know I use humor a lot in all the work I do, but when people ask me how I do it or what situations call for humor, sometimes I just shrug. It’s intuitive! But I wanted to answer that question once and for all and codify (if you will) writing with humor, so that people who just don’t have a natural knack for it can try to learn to do it.

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